Home ยป Barbara Kruger Performa 17 Commission Detailed in New Film
Barbara Kruger Performa 17 Commission, a site-specific installation titledย Untitled (Skate) at Coleman Skatepark in New York City is detailed in a new film that shows the installation process and how skateboarders related to theย artworks. Image:ย Performa
BY KAZAD
NEW YORK, NYโ Art21 has announced a new film featuring Barbara Kruger’s Performa 17 Commission. Titled Untitled (Skate), the site-specific installation is at Coleman Skatepark in New York Cityโs Lower East Side. The film includes a group of skaters and Kruger’s works from multiple solo exhibitions at Mary Boone Gallery. Some works are from FOREVER, a 2017 site-specific exhibition at Sprรผth Magers Berlin.ย
For the Performa 17 Commission, Kruger traveled across New York City broadcasting messages addressing issues of power, desire, adoration, contempt, and capital. The messages were on a billboard in Chelsea and MetroCards distributed across four subway stations. Some were also on a yellow school bus, in a storefront shop in SoHo, and in one of New Yorkโs most popular skate park underneath the Manhattan Bridge.
In explaining the origin of her Performa 17 Commission,ย Untitled (Skate) project, Kruger went back in time to her earliest influences and what led her to become an artist. She examines her life growing up in a working-class family in Newark, New Jersey before landing a job as a designer for Condรฉ Nast publications.
Kruger explained how her design experience lent a fluency and directness to the development of her text-driven work. The experience of how people are influenced and shaped by the things they see around them are major factors that influenced Barbara Krugerโs works. With an amazing design sensibility, she wondered how she could use the medium of advertising to subvert the idea of advertising itself.
Using the advertising techniques to engage viewers is at the core of Barbara Krugerโs Performa 17 Commission project.ย While explaining what influenced Untitled (Skate) Kruger interrogates the power of money, elucidating how it shapes and inform societal values. Quoting some of the panels installed in the skatepark she asks: โMoney talks. Whose values?โ ย She continues, โThese are just ideas in the air and questions that we ask sometimesโand questions that we donโt ask but should ask.”
This new film shows how Barbara Kruger continues to use the visual language of advertising to confront social and political issues, including subverting the very messages it emulates.ย Krugerโs messages are not just direct in their communication with viewers, in some instances, they encourage them to engage in discussions of global issues including how consumerism and power affect their daily lives. For Barbara Kruger โSomething to really think about is what makes us who we are in the world that we live in.โ Above all, she wants viewers of her work to question everything they encounter ย ย โAnd how culture constructs and contains us.โ
Well known across the globe for her work, Barbara Kruger explores media effects and strategies to create her work Her political and social messages focus on consumerism, mass media, and feminism. They are mostly on billboards, buses, newspapers, buildings, and parks. Her instantly recognizable visual style of delivering thought-provoking and terse phrases in white Futura Bold font over red blocks has influenced many people. Visual artists, graphic designers, mass media, and high fashion streetwear are now appropriating her style.
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