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Tschabalala Self’s Lady in Blue has taken its place on London’s Fourth Plinth in Trafalgar Square. The monumental bronze sculpture depicts a confident contemporary Black woman striding forward in a vivid blue dress and heels, challenging traditional ideas of who belongs on a civic monument.
Three Banksy artworks in London have generated nearly £150,000 in public costs since 2024. From the Royal Courts of Justice mural to the Waterloo Place statue and piranha police box, here’s where the money went—and why Banksy’s street art continues to blur the line between vandalism and public art.
Kerstin Brätsch has won the 2027 Zurich Art Prize, receiving CHF 130,000 and a major solo exhibition at Museum Haus Konstruktiv in Zurich. Discover why the German artist was selected and what to expect from her June 2027 exhibition.
Two Eastman Johnson paintings stolen from New York galleries in 1978 have been recovered nearly 50 years later. Mary and Her Lamb and The Young Mother were identified in an estate collection through provenance research and the Eastman Johnson Catalogue Raisonné before being returned to their rightful owners.
The Bill Blass auction at Christie’s brings the designer’s fashion archive to New York this September, with iconic garments, sketches, and correspondence revealing his enduring influence on American style.
At Duke University’s Nasher Museum of Art, Turn the Volume Up! explores how activist art can transform individual expression into collective action. Bringing together photography, sculpture, painting, prints, installation, and archival material, the exhibition examines protest, civic participation, historical memory, resistance, and the struggle to be heard.
Yayoi Kusama dies at 97, marking the end of a groundbreaking seven-decade career that made her one of the world’s most recognizable contemporary artists. Known for her iconic polka dots, infinity rooms, and immersive installations, Yayoi Kusama made lasting contributions to painting, sculpture, performance, fashion, and literature. Her influential career crossed artistic boundaries and inspired millions of people worldwide, cementing her legacy as a pioneering figure in modern and contemporary art.
Nottingham Contemporary will host Sarah Cunningham: Midnight Sun, a major exhibition exploring imagined landscapes, abstraction, and humanity’s relationship with the natural world. Bringing together previously unseen paintings, the exhibition traces Cunningham’s movement from recognizable landscapes towards speculative and dreamlike worlds.
High Museum Paper Trees invites viewers to slow down and see the American landscape anew. Bringing together ideas of nature, observation, and American art, the exhibition explores the enduring significance of trees and the many ways artists have transformed the natural world into a subject of contemplation and creative expression.
The Getty Museum has acquired Georges Lemmen’s Portrait of his Sister Julie Crocheting, its first pointillist painting. The landmark acquisition celebrates Belgian Neo-Impressionism and brings renewed attention to one of the movement’s most accomplished yet often overlooked artists.
Valerie Hillings has been named the first director of Guggenheim Abu Dhabi, where she will shape exhibitions, programming, and the museum’s global vision.
The Guggenheim Abu Dhabi opening date has been confirmed for 11 December, marking the debut of the largest museum in the Guggenheim network. Designed by Frank Gehry, the landmark institution is set to become a centerpiece of Saadiyat Island’s growing cultural district.
Employees at the Victoria and Albert Museum have voted for industrial action over pay, workplace conditions, and staff welfare concerns. The V&A Museum strike involves union members seeking improved wages, better break arrangements, and changes to working practices across the institution’s London locations.
The Clark Art Institute Aso O. Tavitian Collection makes its public debut in An Exquisite Eye, an exhibition featuring 150 works from a landmark European art gift spanning Renaissance, Baroque, and Enlightenment masterpieces.
The return of 23 cultural artifacts from Switzerland marks another milestone in the global effort to restore African heritage. The repatriation reflects growing international recognition that cultural treasures taken during colonial rule should be returned to their countries of origin. As more museums and institutions embrace restitution, these returns are reshaping conversations about history, identity, and cultural justice across Africa and beyond.
Charli XCX has joined the National Portrait Gallery with a new portrait by Harley Weir, recognizing the artist’s growing influence on contemporary music and culture.
The Armory Show 2026 returns to New York’s Javits Center from September 24–27 with a new schedule, leading international galleries, and thoughtfully curated exhibitions. Learn about the updated dates, featured sections, participating galleries, and what visitors can expect from one of the world’s premier contemporary art fairs.
The David Salle painting controversy heightens as Sprüth Magers Los Angeles removes a piece amid copying claims and criticism.
Sotheby’s auction of Antonello da Messina’s Ecce Homo was canceled after Italy purchased the painting for $14.9M, leaving many collectors disappointed.
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