Johann Zoffany portraits, including The Flower Girl and The Watercress Girl, at Bonhams’ Old Master Auction is a rare chance to own rare 18th-century masterpieces.

BY KAZEEM ADELEKE, ARTCENTRON

LONDON–Bonhams upcoming Old Master Paintings sale at New Bond Street, London, on Wednesday, December 4th, will showcase a pair of iconic portraits by Johann Joseph Zoffany (1733-1810), including The Flower Girl and The Watercress Girl. Expectations are these exceptional paintings will fetch between £300,000 and £500,000. Sold as companion pieces, the portraits highlight Zoffany’s remarkable skill and continue to captivate art collectors and enthusiasts alike.

A Glimpse into the History of Johann Zoffany’s Portraits

Johann Zoffany Portraits with a Story

The two portraits up for auction have remained in a private family collection since the 19th century and are in remarkable condition. According to Lisa Greaves, Head of Bonhams Old Master Paintings Department, “These exquisite portraits are not only visually striking, but they also represent a pivotal moment in art history.” Zoffany was famous for infusing his works with detailed expression and intricate decorative elements. He was one of the founding members of the Royal Academy of Arts. Zoffany enjoyed patronage from prominent figures such as King George III and Queen Charlotte.

Zoffany, originally from Germany, became one of England’s foremost portrait painters. His innovative style gained him significant recognition, particularly among the British aristocracy and theatrical elite. Working in partnership with the renowned actor-manager David Garrick helped propel his career, especially after Garrick commissioned a series of conversation pieces that brought the artist public acclaim.

Zoffany’s Unique Contribution to 18th-Century Art

The Watercress Girl–A Stunning Display of Detail

One of the standout pieces in the auction is The Watercress Girl, which Zoffany exhibited at the Royal Academy in 1780. This was a significant year for Zoffany. It was the first exhibition at the newly constructed Somerset House, designed by William Chambers. The piece is a captivating portrait of a young girl named Jane Wallis, whose beauty and authenticity of expression drew praise from critics of the time. A reviewer noted, “The artist has been very fortunate in his choice of subject, capturing the subject’s beauty and nature so exactly that it’s almost impossible to distinguish between life and painting.”

This painting is particularly revered for Zoffany’s attention to detail. The Watercress Girl is depicted with naturalism and grace, emblematic of Zoffany’s ability to blend realism with elegance. The Watercress Girl is certainly one of Zoffany’s finest works from this period. It showcases his technical mastery and insight into the human form.

The Flower Girl-Symbolizing the Era

Alongside The Watercress Girl is The Flower Girl, another beautifully rendered portrait in Zoffany’s signature style. Both portraits were originally commissioned by Jacob Wilkinson, a prominent East India Company director and a patron of Zoffany’s art. Wilkinson’s support extended beyond just financial backing—he also championed Zoffany’s trip to India. This played a key role in expanding the artist’s international acclaim.

In 1785, engraver John Young produced mezzotints of these portraits, helping to preserve and further publicize Zoffany’s works. Wilkinson’s own portrait by Zoffany is in the official residence of the Prime Minister of the United Kingdom at Chequers.

Johann Zoffany’s Enduring Legacy

A Master of Portraits and Theatrical Art

Zoffany’s style blends the neoclassical influence of his early training in Germany with the rich, expressive portraiture of 18th-century Britain. His portraits are notable for their lifelike quality, as well as their attention to detail and character. Zoffany’s ability to capture not just the likeness but also the personality of his subjects set him apart from many of his contemporaries.

Zoffany’s works are in some of the world’s most prestigious collections. They include the National Gallery, Tate Britain, and the Royal Collection. His international influence is evident in the presence of his works in institutions across Europe, India, and the United States.

Zoffany’s Legacy in Global Collections

Zoffany’s influence extended far beyond Britain. He spent time in Italy and India, where his paintings of British colonial figures and local subjects demonstrated his versatility. Some of his works are in major collections in Australia and the United States. This helps cement his status as one of the preeminent artists of the 18th century.

Other Highlights from Bonhams’ Old Master Paintings Sale

In addition to Zoffany’s portraits, Bonhams’ December auction features a range of notable works, including:

• Follower of Bernaert van Orley (Brussels, 1487-1541), The Madonna and Child (oil on board, 25.4 x 18.7 cm). Estimated at £60,000-80,000.
• Master of the Scandicci Lamentation (Florence, early 16th century), The Madonna and Child with the Infant Saint John the Baptist (oil on panel, tondo, 95.8 cm diameter). Estimated at £60,000-80,000.
• Johannes Lingelbach (1622-1674), A Capriccio View of Rome (oil on canvas, 126 x 97 cm). Estimated at £40,000-60,000.
• Judith Leyster (Haarlem, 1609-1660), The Lute Player (oil on panel, 50 x 37.7 cm). Estimated at £30,000-50,000.

Johann Zoffany Portraits: A Rare Opportunity

The Johann Zoffany portraits, The Flower Girl and The Watercress Girl, offer a rare opportunity to acquire works by one of the leading portrait artists of the 18th century. Expectations are high that their sale at Bonhams Old Master Paintings Auction will attract considerable interest from collectors, curators, and art enthusiasts worldwide.

• Johann Joseph Zoffany (Frankfurt-am-Main 1733-1810 Strand-on-the-Green) The Flower Girl (left); and The Watercress Girl (right) 91.2 x 70.8cm and 89 x 71.1cm. Estimate- £300,000-500,000.