The stolen Edo Period bronze Buddha sculpture (1603-1867) valued at $1.5 Million. Photo: Baraka Gallery.
In a daring heist, a lone thief skillfully maneuvered and stole the 250-pound priceless bronze Buddha sculpture from the backyard of Barakat Gallery in Los Angeles.
BY SEAN LEWYES, ARTCENTRON
LOS ANGELES, CALIFORNIA- In a stunning heist that has sent shockwaves through the art world, a priceless bronze Buddha sculpture, valued at an astonishing $1.5 million, was stolen during the early hours of Monday morning, specifically on the 18th of September. This audacious theft took place at the Barakat Gallery’s Los Angeles location, leaving the art community in disbelief. This captivating sculpture, believed to have been originally commissioned as the centerpiece of a temple, hails from Japan’s Edo Period (1603–1867), renowned for its prosperity and artistic excellence.
Standing at an impressive height of 4 feet and weighing approximately 250 pounds, the stolen sculpture is a substantial work of art. Paul Henderson, the director of Barakat’s Los Angeles location, disclosed that security footage captured an individual arriving in a moving truck at 2:30 a.m. on Monday morning. Astonishingly, the thief meticulously carried out the heist swiftly. After breaking open the driveway gate he used a moving dolly to transport the sculpture into the truck. This audacious act was the work of a lone individual, leaving everyone baffled. The entire operation lasted a mere 25 minutes, after which the thief made a swift getaway.
The sheer audacity of the theft suggests careful planning. Considering the sculpture’s substantial size and weight, the gallery placed it in the backyard among other stone and marble works. The fact that the thief specifically targeted this solitary object and acted swiftly before making a hasty escape in a Budget rental truck strongly indicates a premeditated act.
The stolen masterpiece is attributed to the artist Tadazou Iinuma. An inscription on the sculpture reads: “Produced by Tadazou Iinuma, first year of Shouho, Kanoe. Prayed for and requested by Ryozen, master of Shingon religious party, Dainichi-Nyorai, Yudo-no-San Temple, of the highest social class.” This inscription suggests that a religious figure named Ryozen likely commissioned the sculpture. It also signified that it once held a revered place at the Yudo-no-San Temple, a sacred site on Japan’s Mount Yudono.
This theft has left the art world perplexed. Not only is the stolen sculpture of immense financial value, but it also possesses significant historical and aesthetic importance. Undoubtedly, it is a temple sculpture from the Edo Period, distinguished by its rarity, size, and craftsmanship. Such an extraordinary piece is unlikely to surface on the market, rendering its resale a formidable endeavor. The motive behind the theft remains shrouded in mystery. Expectedly, the art community continues to ponder the intentions of the thief regarding this extraordinary work.
As of the present moment, the gallery has no substantial leads. Nevertheless, they are actively collaborating with the Los Angeles Police Department and neighboring businesses to identify the perpetrator. The art world is holding its collective breath, fervently hoping for the safe return of this invaluable cultural treasure.
In a world where art thefts persist as a looming concern, the audacious theft of the bronze Buddha sculpture from the Barakat Gallery serves as a stark reminder of the critical importance of safeguarding our cultural heritage. This incident has ignited a discourse on the security measures protecting priceless artworks in galleries and museums worldwide.